How does a movement of the hand become a movement of the voice? What rhythms emerge between sound and body, talking and dancing? What relationships are created between the bodies of dancers and the audience by sound, touch, and affection? Daniela Georgieva’s choreography Fluscia will be one to be heard, seen, and felt.

How does falling sound, or getting up? What’s the speed of a hum, and what momentum is inherent to song? How can we touch each other physically and acoustically? Questions like these form the basis of Daniela Georgieva’s most recent piece Fluscia that explores relationships among dancers and between them and the audience in a sensual manner. Fluscia logically continues the exploration of forms of physical closeness and distance Georgiava started in her 2022 collaboration with her colleague Hugo Le Brigand, 270206. This time, the two artists add an acoustic dimension to their experience. They investigate the types of contact and relation that can possibly emerge between different bodies: bodies of movement, acoustic bodies, affective bodies. The idea is that these kinetic, haptic, acoustic relationships in turn produce new bodies and new constellations. The interplay of dancers’ body voices with electro-acoustic compositions is at the very centre of Fluscia.

Concept, choreography Daniela Georgieva Choreography, dance Hugo Le Brigand, Lina Venegas, Valentino Skarwan Dramaturgical consultant Liv Schellander Outside eye Lena Megyeri Sound design Moritz Nahold, Tanja Fuchs Lighting design Samuel Schaab Costume design, installation Anna Sedlmayr // ANN[DONE Production management Wibke Scheler

Special thanks to Eva Tacha-Breitling, Alberto Cisello

A co-production with brut Wien and Verein KOROLL. With the kind support of Im_flieger, Arbeitsplatz Wien, Seestadt Studios Wien.

Many thanks to the City of Vienna’s Department of Cultural Affairs, the Austrian Federal Ministry of Art, Culture, Civil Service and Sport and Kunststiftung NRW for their kind support.

FLUSCIA - Daniela Georgieva